![]() Once a vulnerability is identified, there are different ways of fixing it. Jair García Osorio explains the day-to-day use of the solution: “The clear reporting within Fortify on Demand enables us to translate technical issues into business ones. Scans are carried out simultaneously, and a straightforward portal interface provides full visibility to the process. Fortify on Demand provides an easy way to assess new applications within the portfolio to ensure they meet certain security standards before they are implemented in production. The majority of applications come from vendors, but they all need to adhere to the centrally agreed security criteria before they are allowed within the Coca-Cola FEMSA IT infrastructure. ![]() Once we saw what Fortify on Demand was capable of, we knew it was the solution for us.”įortify on Demand was soon implemented and the security team started scanning all applications using the service. Jair García Osorio comments: “We looked at alternatives but found it a real challenge to find a solution that identifies a wide range of vulnerabilities and makes them visible in an easy-to-action way. Scalable for application growth, Fortify on Demand can be delivered in a flexible cloud or hybrid environment, to align with application demand. This application security as a service integrates static, dynamic, and mobile application security testing with continuous application monitoring. Market research showed Micro Focus® Fortify on Demand to be a great option. The team looked for a solution that could support the implementation of a comprehensive set of security guidelines for applications, both Coca-Cola FEMSA’s own and their partners, to adhere to. Once the organization as a whole understood the serious consequences of a security breach with a cloud-hosted application, it became a priority to find a solution that could help us identify any potential application vulnerabilities.” Although security has always been important to us, a move towards cloud-hosting our own and our partner’s applications made us much more aware of potential security risks. Jair García Osorio, Chief Technology Security Officer for Coca-Cola FEMSA, provides some context to the role of the security department: “We are a centralized security division for the whole company, across all locations.
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The Joker who laughs last, laughs best. Kevin Durant (35) of the Phoenix Suns pushes Nikola Jokic (15) of the Denver Nuggets during the western conference semifinal Game 5 at Ball Arena in Denver, Colorado on Friday, May 9, 2023. He shoved Jokic, who drew a technical foul with a dramatic flop that was reminiscent of what Ishbia had done to him barely 48 hours earlier. “That’s just what I was doing.”ĭurant did not find it one bit amusing, though. ![]() ![]() “It was just to see what they were drawing, just to see the play I think that can help us a lot,” Joker deadpanned. With a twinkle in his eye, Jokic wandered into the Phoenix huddle alongside teammate Bruce Brown to troll the Suns. Jokic ended any semblance of suspense in the decisive third quarter, when the Nuggets outscored Phoenix 39-25, with 17 of those points supplied by their goofy but sneakily competitive center.ĭuring the final minute of that third period, with the Nuggets ahead 89-69, Suns coach Monty Williams tried to gather his team for a quick strategy session prior to a free-throw attempt without calling a timeout. shot out the lights, as the Nuggets raced to an early 15-point lead.Īn aggressive Denver defense made Devin Booker and Kevin Durant appear more like mere humans than basketball gods, as the Suns superstar duo required 43 shots to score 53 points. Right then and there, before the teams were introduced or the national anthem was sung, the Suns should’ve hopped a jet back to the Arizona desert, because the mischievous twinkle in the Joker’s eyes foreshadowed what was to come on this beautiful spring evening in Colorado. “He’s trying to get his 25 G’s back,” Malone said. ![]() What’s offering an olive branch to Ishbia say about him? Why carry a grudge, when victory is the best revenge? Gotta love this Joker. Jokic explained he was just trying to have “a little bit of fun.” You can either use an environment variable or you can perform the computation in the test script whether you want to set a test (or a set of tests) and use that. PHOTOS: Denver Nuggets beat Los Angeles Lakers in Game 2 of NBA Western Conference FinalsĪfter being fined $25,000 by the NBA for getting physical with a billionaire, Jokic decided it was time to make peace, gently tossing a ball to Ishbia before offering him a friendly pre-game hug. In addition to the above response, there’s also another way to directly control the skipping of the complete tests using some control boolean. But grumpy old Kendrick Perkins doesn’t want to hear that noise. We could talk about the 29 points, 13 rebounds and 12 assists Jokic dropped on the Suns to set the record for most postseason triple-doubles by any center in the history of this league with 10. In a crucial NBA playoff game, Jokic killed Suns owner Mat Ishbia with kindness, then buried Phoenix with a triple-double in a 118-102 victory that put Denver one win away from advancing to the Western Conference finals. “What he is doing is just incredible every single night.” “I think sometimes we take Nikola Jokic for granted,” Nuggets coach Michael Malone said Tuesday. When this big Joker is twinkling, baby, he’s sees a game more beautiful than our fondest hoop dreams. The magic of Nuggets center Nikola Jokic is born from the twinkle in his eyes, which light up with delightfully childlike glee the instant before he shares the basketball or spreads joy for life. It does not store any personal data.Digital Replica Edition Home Page Close Menu The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance". This cookie is set by GDPR Cookie Consent plugin. The cookie is used to store the user consent for the cookies in the category "Other. The cookies is used to store the user consent for the cookies in the category "Necessary". The cookie is set by GDPR cookie consent to record the user consent for the cookies in the category "Functional". The cookie is used to store the user consent for the cookies in the category "Analytics". Why crazy even during winter days when the wind is blowing like crazy, he would do his rounds with shorts. These cookies ensure basic functionalities and security features of the website, anonymously. Woke up early to get a pic with my crazy postman. Necessary cookies are absolutely essential for the website to function properly. ![]() “Learning to think creatively, to express yourself artistically, and transfer ideas between disciplines is what music education should be all about,” he says. Kedrik Merwin, Director of Music, Interlochen Center for the Arts, sees the biggest benefit of an education in the arts as the creativity training one receives. She also feels she and other non-prodigies gain a deeper understanding of their instrument, which also informs her teaching. She cites her own experience of having to learn how to consciously practice well, which continues to serve her as a performer and as a teacher (with private students and at Temple University’s Boyer College of Music & Dance). ![]() She believes she had to work harder to become proficient on her instrument, which taught her how to work hard.įisher believes that most non-prodigies are likely to teach at some point in their careers, and pass on to their students valuable insights about music. It was then that she decided that she, too, wanted to be a musician. Her father, a classical violinist and teacher in Edmonton, Canada, was her first violin instructor, and she took sporadic lessons from him until becoming a teenager. It’s for those who feel they must do music.”įisher describes herself as a non-prodigy. “It’s a career of dedication, without a known outcome or end result. “You can’t succeed if it’s half-hearted, especially on the classical scene,” she says. Like Millar, Fisher knows that music takes an extraordinary amount of work and dedication. Instead, she reiterates what others have said: “It’s a career for those who can’t imagine doing something else.” As such, being classified a “prodigy” is hardly a qualification for going into music. Kimberly Fisher, principal second violin, The Philadelphia Orchestra and artistic director, The Philadelphia International Music Festival (PIMF), describes musical prodigies as a rare breed. You have hills to climb and you learn to love taking one step at a time and the relentlessness of it all.” He likes to quote legendary tennis player, Arthur Ashe, who said, “Start where you are. “If you don’t have huge success early on, you understand and learn how to get better. Millar refers to music as a “tough business.” As a result, “Music students need to be relentless…it’s more important than anything else.” As a non-prodigy, he felt he had to work harder than if he had been labeled a prodigy. He credits his undergraduate program, and not being surrounded by prodigies, with providing him the space “to grow and improve…to compete with myself…to become better tomorrow than today.” He switched to CU’s College of Music when music proved to be the only major that brought together his passion and interests. Millar started out in engineering at the University of Colorado Boulder. “In music school, we’re learning how to learn and how to adapt in the world,” he says. Michael Millar, director of the Center for Community Engagement at California State Polytechnic University, Pomona, is quick to describe himself as a “non prodigy.” He credits majoring in music with teaching him to be an achiever (he’s got a BM and an MA in Music Performance, and a DMA in Performance and Arts Administration). ![]() Their insights are invaluable for students, parents, music teachers, college guidance counselors, and current music majors as well. ![]() explored this subject with three musicians, each of whom is working in a distinctly different field of music. It is not mere meekness, for it takes great courage to endure such suffering and shame when one has the power to retaliate and gain the upper hand, something Jesus did not do. The suffering Christ is the touchstone for how each of us should suffer injustice. In First Peter, we have the theme of caring taken to extremes. In a sense, each member is a shepherd for all the others. The tone of voice of caring is matched by actions of caring. The image of the shepherd does not appear in the vision of the early church in Acts 2, but this vision shows each member caring for all the others, giving of their own substance to those who have need. ![]() Maybe the other lections can give us more guidance. We have the content, then, of caring, and the intonation would also need to convey the same degree of caring, even self-risking and self-sacrificial caring. There is David, who fought lions and bears to save his sheep, Psalm 23 where the Lord as shepherd guides us through the dark valley, and most of all, Yahweh as the true shepherd in Ezekiel 34 who cares for his sheep. Let us start with the image of the shepherd that references many passages in the Hebrew Bible. There is the intelligible content, but there is also the intonation, the way the voice modulates and sounds in the heart. This suggests that there are two dimensions to the art of hearing the voice of Jesus the Good Shepherd. In some ways, the distinction between the two helps us use them well together. Although the two functions are distinct, and there are advantages to noting the distinction, we want them to work well together. Normally, hearing the content and the inflection is one seamless phenomenon but the separation caused by events such as a stroke show that each is done by a separate part of the brain. Many times, Sachs demonstrates that we learn how the brain works through various malfunctions. Undistracted by the inflection, she knew that the words were incoherent. She could not hear the inflections but she could understand the words. It seems that undistracted by any intelligibility of the words, they could sense the tone of the voice with great clarity. They were laughing because they knew the president was lying. ![]() Most of them were laughing although they could not understand a word of it as they were suffering from aphasia. A group of patients recovering from strokes were listening to the speech by a president (several years past now). Thinking of hearing the “voice” of the shepherd reminds me of one of the anecdotes told by Oliver Sachs in one of his books about neurological patients. It is not surprising if these people were hard of hearing as well. ![]() ![]() 10: 6) We get an important clue as to the problem if we note that Jesus is speaking to the same people who had taken umbrage at his healing of the man born blind, people who said they could see when they really couldn’t. 10: 3-4) Interestingly, although this seems fairly straightforward, John says that his listeners “did not understand what he was saying to them.” (Jn. When Jesus speaks of himself as a shepherd, he says that the sheep “hear his voice” and they follow him because they “know his voice.” (Jn. Once installed, a pop-up will display the message: Package Control was successfully installed. ![]() Sublime Text 3 will start installing Package Control.Type ‘install’ in the Command Palette input box, which should autocomplete to ‘ Install Package Control.’ Press Enter to select it.Open the Command Palette: Press Ctrl+Shift+P (Windows) or Cmd+Shift+P (OS X).Steps for Installing Package Control (Sublime Text 3): Unlike previous versions, we can now bypass copying code from packagecontrol.io and working with the Python console. Newer builds of Sublime Text 3 allow installing Package Control right within the application. It includes a list of over 2,500 packages available for install…Once installed, packages are kept up-to-date automatically. Package Control is the Sublime Text package manager. We will go with Package Control as it is the easier option. ![]()
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